Unforgettable: Telling the care home story

A play that puts the experiences of staff and care home residents centre stage

During the Covid pandemic, care homes probably experienced the most challenging operational period in their history. “Unforgettable” tells the story of a residential care home from the perspective of care staff, residents, families, and the owners.

“I worked 7am-9pm 17 days in a row. They were not residents - they were Joe, Constance, Arthur, Giovanni. They were my friends; my family and I’m gutted - but I can’t show it.”

The words above are spoken by ‘Beth,’ a care home manager, near the start of the play when she addresses the audience. She was the oldest of four children and came to this role after caring for her three younger siblings plus a grandmother who had Alzheimer’s Disease. ‘Beth’ is going through a harrowing time talking on the phone trying to get more staff to come on duty at the care home. She is also speaking with a family member offering comfort about the death of their father after he was sent from hospital, where he should have stayed, to the care home where he caught Covid and died. ‘Beth’ talks about the staff taking on more than their original jobs to care for people and to be with those residents who were dying as their families couldn’t be that took an enormous toll on them. Desperately trying to source PPE that involved meeting suppliers in a motorway service area provided another serious challenge.

The play then moves two years into the future and looks at the plight of ‘Edna’ who has lost her long-time partner, ‘Meg’ who had Alzheimer’s Disease, after caring for her before she entered residential care where she died. ‘Edna’s’ brother, ‘George’, believes she is struggling living on her own and needs support. The play follows the emotional and financial challenges facing Edna as she tries to come to terms with ‘Meg’s’ death. She recalls how uncomfortable she had felt when visiting ‘Meg’ in her care home because of their relationship and the difficulties caused by not being in a civil partnership. After falling at home and damaging her hip, ‘Edna’ is hospitalised and tests asymptomatic for Covid meaning the care home won’t accept her, so she returns to her own home. After more time elapses, ‘Edna’ comes to realise she doesn’t want to continue living on her own. This decision leads to an unexpected reunion when and she and ‘George’ meet with ‘Beth’ to talk about ‘Edna’ going to live in the care home, which she does.   

“I have written and researched 22 plays about care and health issues over the last 15 years,” said Brian Daniels. “‘Unforgettable’ was harrowing to research, and I spoke to many inconsolable family members who had lost the person they most loved during the pandemic. What came across most strongly though was the compassion, care and love demonstrated without fail by the care home staff I met that resonated so strongly.

“I have nothing but the utmost respect for those I interviewed and who felt able to share something of their pain and loss - sometimes with humour through the tears. I hope the play is a true representation of the range of emotions I encountered.” 

The play was commissioned by Leeds Care Association and as Michelle Atkinson, General Manager said:

"It's really, really important to hear the things from the care home perspective - staff, owners and managers, residents and families. It's about their story and what they went through, being heard and visible, not from a government perspective but as their story, from their mouths.

"It is also about commemorating the many residents and staff who lost their lives to Covid that was really hard for everyone, so this play is a tribute to them."

Unforgettable is being performed at the House of Commons on 13 June 2023. News story here

Listen to more about the play…

Brian Daniels, Playwright

Councillor Fiona Venner, Leeds City Council

 
 

What people said…

  • Overall, a totally engrossing and powerful play. Brilliant acting. Gave real insights into the situation care staff and others were facing.

  • Well researched and sensitively played.

  • That was a great production and, I've got to tell you, right at the beginning listing to Beth’s character answering the phone in the office hours, I was fighting back tears because that took me right back to the beginning. And it was such an emotional time, so hard for everybody.

  • It was really poignant to hear the stories of people who were in care homes over the pandemic and what that's left people with as well, in terms of how staff are still struggling with what they experienced over those two years - and families and older people as well.

  • I found the after-performance discussion helpful as it helps the audience explore further the issues raised.

  • Looking at somebody with dementia through a window because they've been allowed to come on to the ground floor where they could be seen, we get that that was the only thing that could be done, but to the person with dementia and to the family member it was absolutely beyond the realm of how they could understand what to do.

  • It was traumatic. And what people were experiencing, it was like being on a war footing.

 
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HOW TO HOST THIS PLAY


This play is available for performances at any location. It can be booked through Pluto Productions which is a registered charity and not for profit.

We seek to cover the costs of the actors, their travel and subsistence, a royalty and overnight accommodation if required.

The cost is variable depending on the location and it is possible to book two performances in a single day.

 
 

 
 

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